Pasargadae was the first dynastic capital of the Achaemenid Empire, founded by Cyrus II the Great, in Pars, homeland of the Persians, in the 6th century BC. Its palaces, gardens and the mausoleum of Cyrus are outstanding examples of the first phase of royal Achaemenid art and architecture and exceptional testimonies of Persian civilization. Particularly noteworthy vestiges in the 160-ha site include: the Mausoleum of Cyrus II; Tall-e Takht, a fortified terrace; and a royal ensemble of gatehouse, audience hall, residential palace and gardens. Pasargadae was the capital of the first great multicultural empire in Western Asia. Spanning the Eastern Mediterranean and Egypt to the Hindus River, it is considered to be the first empire that respected the cultural diversity of its different peoples. This was reflected in Achaemenid architecture, a synthetic representation of different cultures.
Justification for Inscription
Criterion (i): Pasargadae is the first outstanding expression of the royal Achaemenid architecture.
Criterion (ii): The dynastic capital of Pasargadae was built by Cyrus the Great with a contribution by different peoples of the empire created by him. It became a fundamental phase in the evolution of the classic Persian art and architecture.
Criterion (iii): The archaeological site of Pasargadae with its palaces, gardens, and the tomb of the founder of the dynasty, Cyrus the Great, represents an exceptional testimony to the Achaemenid civilisation in Persia.
Criterion (iv): The ‘Four Gardens’ type of royal ensemble, which was created in Pasargadae became a prototype for Western Asian architecture and design.
The dynastic capital of Pasargadae was built by Cyrus the Great in the 6th century BC with contributions from different peoples of the empire created by him. It became a fundamental phase in the evolution of the classic Persian art and architecture. With its palaces, gardens, and the tomb of the founder of the dynasty, Cyrus the Great, Pasargadae represents exceptional testimony to the Achaemenid civilisation in Persia. The 'Four Gardens' type of royal ensemble created in Pasargadae became a prototype for Western Asian architecture and design.
Pasargadae is located in the plain on the river Polvar, in the heart of Pars, the homeland of the Persians. The position of the town is also denoted in its name: 'the camp of Persia'. The core zone of the site is surrounded by a large landscape buffer zone. The core area contains many monuments: the Mausoleum of Cyrus the Great is built from white limestone around 540-530 BCE. The mausoleum chamber, on the top, has the form of a simple gable house with a small opening from the west. In the medieval period, the monument was thought to be the tomb of Solomon's mother, and a mosque was built around it, using columns from the remains of the ancient palaces. A small prayer niche (mihrab ) was carved in the tomb chamber. In the 1970s, during a restoration, the remains of the mosque were removed, and the ancient fragments were deposited close to their original location.
The Tall-e Takht refers to the great fortified terrace platform built on a hill at the northern limit of Pasargadae. This limestone structure is built from dry masonry, using large regular stone blocks and a jointing technique called anathyrosis, which was known in Asia Minor in the 6th century. The first phase of the construction was built by Cyrus the Great, halted at his death in 530 BCE. The second phase was built under Darius the Great (522-486 BCE), using mud brick construction.
The royal ensemble occupies the central area of Pasargadae. It consists of several palaces originally located within a garden ensemble (the so-called 'Four Gardens'). The colour scheme of the architecture is given by the black and white stones used in its structure. The main body of the palaces is formed of a hypostyle hall, to which are attached porticoes. The Audience Hall was built around 539 BCE. Its hypostyle hall has two rows of four columns. The column bases are in black stone and the column shafts in white limestone. The capitals were in black stone. There is evidence of a capital representing a hybrid, horned and crested lion. The palace had a portico on each side. Some of the bas-reliefs of the doorways are preserved, showing human figures and monsters.
The Residential Palace of Cyrus II was built 535-530 BCE; its hypostyle hall has five rows of six columns. The Gate House stands at the eastern limit of the core zone. It is a hypostyle hall with a rectangular plan. In one of the door jambs is the famous relief of the 'winged figure'.
In later periods, Tall-e Takht continued to be used as a fort, whereas the palaces were abandoned and the material was reused. From the 7th century onwards, the tomb of Cyrus was called the Tomb of the Mother of Solomon, and it became a place of pilgrimage. In the 10th century, a small mosque was built around it, which was in use until the 14th century. Source: UNESCO/CLT/WHC
[in French only]
La terre de Fars, ou Perse, était la patrie des Achéménides, la tribu perse que Cyrus II le Grand (qui régna de 559 à 529 avant notre ère environ) conduisit à la victoire sur les Mèdes en 550. Comme c'était la coutume, Cyrus choisit l'emplacement de sa capitale à proximité du site de sa victoire sur Astyage, le roi mède. Cette première victoire fut suivie par la conquête de la Lydie, de l'Empire néobabylonien et de l'Égypte, et l'empire fut ensuite consolidé et agrandi par son fils Cambyse (529-522 avant notre ère) et par Darius Ier le Grand (521-486 avant notre ère). Cyrus est évoqué dans la Bible comme le libérateur de Babylone, et celui qui ramena les Juifs de leur exil.
Darius Ier décida de construire une nouvelle capitale symbolique pour l'empire, à Persépolis, quelque 70 km plus au sud. Néanmoins, Pasargades demeura un important centre dynastique jusqu'à la conquête de l'empire par Alexandre le Grand de Macédoine, en 330 avant notre ère. Selon certains auteurs antiques, comme Hérodote et Arrien, Alexandre rendit hommage à la tombe de Cyrus et la fit restaurer.
Plus tard, Tall-e Takht continua d'être utilisé en tant que fort, tandis que les palais étaient abandonnés et les matériaux réutilisés. À partir du VIIe siècle, la tombe de Cyrus fut appelée la tombe de la mère de Salomon, et elle devint un lieu de pèlerinage. Au Xe siècle, une petite mosquée fut construite autour, utilisée jusqu'au XIVe siècle. Des voyageurs visitèrent le site au fil des siècles, lesquels témoignèrent de la perte progressive de divers éléments. On accordait une attention toute spéciale à la tombe de Cyrus et à la terrasse fortifiée de Tall-e Takht.
Source: Advisory Body Evaluation