The World Heritage Committee,
- Having examined Documents WHC/19/43.COM/8B and WHC/19/43.COM/INF.8B1,
- Inscribes the Churches of the Pskov School of Architecture, Russian Federation, namely 10 of the 18 nominated serial components: 2.2 “Cathedral of Ioann Predtecha (John the Precursor) of the Ivanovsky Monastery”; 2.3 “Ensemble of the Spaso-Mirozhsky Monastery: the Transfiguration Cathedral”; 2.4 “Ensemble of the Snetogorsky Monastery: the Cathedral of the Nativity of the Mother of God”; 2.5 “Church of the Archangel Michael with a bell tower”; 2.6 “Church of Pokrova (Intercession) ot Proloma (at the breach in the wall)”; 2.7 “Church of Koz’ma and Damian s Primostya (near the bridge), remains of the belfry, gate, and fence”; 2.8 “Church of Georgiya so Vzvoza (St. George near the river descent)”; 2.9 “Church of Theophany with a belfry”; 2.11 “Church of Nikoly so Usokhi (St. Nicholas from the dry place)”; and 2.14 “Church of Vasiliya na Gorke (St. Basil the Great on the hill)”, on the World Heritage List on the basis of criterion (ii);
- Adopts the following Statement of Outstanding Universal Value:
The Churches of the Pskov School of Architecture are located in the historic city of Pskov and along the banks of the Velikaya River in the northwest of Russia. The property includes ten monuments of religious architecture, churches and cathedrals, as well as, in some cases, part of the monastic structures around these, which represent the architectural styles and decorative elements produced by the Pskov School of Architecture between the 12th and the beginning of the 17th century. The Pskov School of Architecture is one of the most influential Russian Schools of architecture, which fostered continuous exchange of ideas and characterized the development of architectural styles in Russia over five centuries, leading to specific architectural and decorative references known as the Pskov School.
These physical features representing the work of the Pskov School include, among others: architectural elements influenced by Byzantine traditions, transmitted through the earlier Novgorod School; distinctive use of local construction materials; and pragmatist stone buildings with purist and minimalistic approaches to decoration characterized by restraint in form and decoration. The school utilized a limited set of decorative techniques and architectural elements, illustrating a synthesis of vernacular styles brought into urban and monumental contexts, cubic volumes, domes, tholobates, side chapels, porches, narthexes and belfries, as well as other decorative features. The ten selected churches and cathedrals which compose this serial property are recognizable with their historic architectural structures and their immediate property settings in the form of access routes, gardens, surrounding walls and fences, as well as vegetation elements, all contributing to the traditional atmosphere of these spiritual abodes which relates to the endeavours of the School to integrate architectural masterpieces into their natural surroundings.
Criterion (ii): The Pskov School of Architecture emerged under the influence of the Byzantine and Novgorod traditions and reached its height in the 15th and 16th centuries, when it exerted considerable influence in large areas of the Russian state and its stylistic and decorative characteristics became widely referenced. Whilst Pskov architects worked on monuments throughout Russia, including in Moscow, Kazan and Sviyazhsk, the ten selected churches in Pskov illustrate a local representation of the early development, experimental grounds and masterly references of the Pskov School.
The churches of the Pskov School of Architecture are largely free of immediate severe threats. All ten elements have kept their initial location in the structure of the town planning. As a group, they demonstrate integrity by including examples of all the historic stages of development of the Pskov School’s output, ranging from the early formative stages in the 12th century, to the apogee of the School in the 15th and 16th centuries. A number of serial components were affected during times of war, in particular during World War II, but are restored to a level which provides a credible reference to the Pskov School’s era of production.
At times, the setting of these religious monuments has become vulnerable to infrastructural and other developments. Given the strong focus of the Pskov School on the integration of monuments into their natural surroundings, it is essential to preserve these immediate settings, which is achieved by means of the designated buffer zone and should be substantiated by adequate visitor- and traffic-monitoring strategies.
The group of churches has preserved an acceptable degree of authenticity in style, decorative features, design, workmanship, atmosphere and, with a single exception, use and function. In material terms the churches have suffered in one way or another damage due to various wars over time, but this group of religious buildings has survived following restorations which remained true to the key architectural and decorative features of the Pskov School of Architecture. The needed repair and conservation works were undertaken using authentic materials, traditional technologies and the explicit aim of preserving the historical and cultural values of the property.
The traditional use of the churches and cathedrals as places of worship and, for some, as part of monastic structures, explicitly strengthens the authenticity, and the user community should be prominently and closely involved in the management processes in order to ensure the future transmission of authenticity in use and function.
Management and protection requirements
The Churches of the Pskov School are protected as architectural monuments of state importance according to the resolution of the Council of Ministers of the Russian Soviet Federative Socialist Republic of 30.08.1960, no. 1327. The specific boundaries of each component were approved by the State Committee of the Pskov Region between 2010 and 2015 but should be revised where necessary to align with property boundaries or relevant physical boundaries of the churches’ setting. By order of the Government of the Russian Federation of 17.09.2016 No 1975-r, all components of the property were included in the Code of the most valuable cultural heritage properties of the Peoples of the Russian Federation. Traditional protection is provided by the Russian Orthodox communities, who care for the property according to religious requirements of maintenance.
Management is coordinated by the State Committee of the Pskov Region for the Protection of Cultural Heritage and carried out in strong cooperation with the Pskov Eparchy of the Russian Orthodox Church. A management plan was prepared in parallel with the preparation of the nomination and was formally approved by the Governor of the Region of Pskov and the Ministry of Culture of the Russian Federation. The management plan provides an integrated action plan for four years (2017 – 2020) and integrates its own quality assessment evaluation scheme which, at the end of the initial period, will commence a review of successes and the reformulation of necessary actions. Future revisions of the management plan will pay closer attention to the aspects of risk management, in particular how this relates to visitor and traffic management, as well as protection of setting and traditional use of the religious structures.
- Recommends that the State Party give consideration to the following:
- Redefining more consistently component boundaries in line with title deeds or physical markers,
- Extending the existing protection zone for the historic centre of Pskov to include the two view corridors along the banks of the Velikaya River to the north and south of this urban protection zone,
- Augmenting the monitoring system through integration of indicators which monitor traffic flows and development pressures,
- Studying traffic and visitation volumes and flows and develop a vehicular traffic strategy as well as a visitor management plan for the property;
- Requests the State Party to submit to the World Heritage Centre by 1 December 2019, a map of the inscribed property.