Meidan Emam, Esfahan
Meidan Emam, Esfahan
Built by Shah Abbas I the Great at the beginning of the 17th century, and bordered on all sides by monumental buildings linked by a series of two-storeyed arcades, the site is known for the Royal Mosque, the Mosque of Sheykh Lotfollah, the magnificent Portico of Qaysariyyeh and the 15th-century Timurid palace. They are an impressive testimony to the level of social and cultural life in Persia during the Safavid era.
Meidan Emam, Ispahan
Construit par le shah Abbas Ier le Grand au début du XVIIe siècle, et entièrement entouré de constructions monumentales reliées par une série d'arcades à deux étages, ce site est célèbre pour sa mosquée Royale, la mosquée du cheikh Lotfollah, le magnifique portique de Qeysariyeh et le palais timouride qui date du XVe siècle. C'est un témoignage de la vie sociale et culturelle en Perse durant l'ère des Séfévides.
ميدان الإمام، أصفهان
إنه موقع بناه الشاه عباس الأول الكبير في بداية القرن السابع عشر، وهو محاط بالكامل بأبنية ضخمة مترابطة في ما بينها بسلسلة من القناطر بطبقتين، وهو مشهور بمسجده الملكي، مسجد الشيخ لطف الله، ورواق القيصرية الرائع والقصر التَّيموري الذي يرقى إلى القرن الخامس عشر. إنه بمثابة شهادة على الحياة الاجتماعية والثقافية في بلاد فارس خلال الحقبة الصفوية.
伊斯法罕王侯广场由阿拔斯一世大帝(Shah Abbas I the Great)建于17世纪初，广场四边是纪念碑建筑，与一组二层的拱廊相连。该遗址以它的皇家清真寺、希克斯罗图福拉清真寺、盖塞尔伊耶希华丽的门廊和15世纪的提姆瑞德宫而闻名。所有这些反映了萨非(Safavid) 王朝时期波斯的社会文化生活。
Площадь Мейдан-Имам в городе Исфахан
Сооруженная шахом Аббасом I Великим в начале XVII в., и окруженная со всех сторон монументальными зданиями, соединенными несколькими двухъярусными аркадами, эта площадь известна своей Шахской мечетью, мечетью шейха Лотфоллы, величественным портиком дворца Кайсария и дворцом Тимуридов XV в. Все эти памятники являются яркими доказательствами высокого уровня социальной и культурной жизни в Персии во времена Сефевидов.
Meidan Emam (Ispahán)
Construida por el sah Abbas I el Grande a principios del siglo XVII, la plaza Meidan Emam está flanqueada por edificios monumentales unidos entre por una serie de arcadas de dos pisos. Este sitio es famoso por la Mezquita Real, la mezquita del jeque Lotfollah, el magnífico pórtico de Qeyssariyeh y el palacio timúrida del siglo XV. Todos estos monumentos son un importante testimonio de la vida social y cultural en la Persia de los sefévidas.
Meidan Emam, Isfahan
Het Meidan Emam (plein van de Imam) werd begin 17e eeuw gebouwd door Sjah Abbas de Grote. Hij regeerde van 1587 tot 1628 en koos Isfahan als zijn hoofdstad, om die vervolgens prachtig te versieren en verbouwen. Het plein grenst aan monumentale gebouwen, met elkaar verbonden door een dubbele galerij. De plek staat bekend om de Koninklijke moskee, de Sjeik Lotfollah moskee, de Portico van Qaysariyyeh en het 15e-eeuwse Timoeridische paleis. Het zijn indrukwekkende monumenten van het sociaal-culturele leven in Perzië tijdens het Safawidische tijdperk (tot 1722). Isfahan is een uitzonderlijk stedelijk fenomeen in Iran, waar de steden gewoonlijk strak zijn verkaveld, zonder ruimtelijke vloeibaarheid.
Outstanding Universal Value
The Meidan Emam is a public urban square in the centre of Esfahan, a city located on the main north-south and east-west routes crossing central Iran. It is one of the largest city squares in the world and an outstanding example of Iranian and Islamic architecture. Built by the Safavid shah Abbas I in the early 17th century, the square is bordered by two-storey arcades and anchored on each side by four magnificent buildings: to the east, the Sheikh Lotfallah Mosque; to the west, the pavilion of Ali Qapu; to the north, the portico of Qeyssariyeh; and to the south, the celebrated Royal Mosque. A homogenous urban ensemble built according to a unique, coherent, and harmonious plan, the Meidan Emam was the heart of the Safavid capital and is an exceptional urban realisation.
Also known as Naghsh-e Jahan (“Image of the World”), and formerly as Meidan-e Shah, Meidan Emam is not typical of urban ensembles in Iran, where cities are usually tightly laid out without sizeable open spaces. Esfahan’s public square, by contrast, is immense: 560 m long by 160 m wide, it covers almost 9 ha. All of the architectural elements that delineate the square, including its arcades of shops, are aesthetically remarkable, adorned with a profusion of enamelled ceramic tiles and paintings.
Of particular interest is the Royal Mosque (Masjed-e Shah), located on the south side of the square and angled to face Mecca. It remains the most celebrated example of the colourful architecture which reached its high point in Iran under the Safavid dynasty (1501-1722; 1729-1736). The pavilion of Ali Qapu on the west side forms the monumental entrance to the palatial zone and to the royal gardens which extend behind it. Its apartments, high portal, and covered terrace (tâlâr) are renowned. The portico of Qeyssariyeh on the north side leads to the 2-km-long Esfahan Bazaar, and the Sheikh Lotfallah Mosque on the east side, built as a private mosque for the royal court, is today considered one of the masterpieces of Safavid architecture.
The Meidan Emam was at the heart of the Safavid capital’s culture, economy, religion, social power, government, and politics. Its vast sandy esplanade was used for celebrations, promenades, and public executions, for playing polo and for assembling troops. The arcades on all sides of the square housed hundreds of shops; above the portico to the large Qeyssariyeh bazaar a balcony accommodated musicians giving public concerts; the tâlâr of Ali Qapu was connected from behind to the throne room, where the shah occasionally received ambassadors. In short, the royal square of Esfahan was the preeminent monument of Persian socio-cultural life during the Safavid dynasty.
Criterion (i): The Meidan Emam constitutes a homogenous urban ensemble, built over a short time span according to a unique, coherent, and harmonious plan. All the monuments facing the square are aesthetically remarkable. Of particular interest is the Royal Mosque, which is connected to the south side of the square by means of an immense, deep entrance portal with angled corners and topped with a half-dome, covered on its interior with enamelled faience mosaics. This portal, framed by two minarets, is extended to the south by a formal gateway hall (iwan) that leads at an angle to the courtyard, thereby connecting the mosque, which in keeping with tradition is oriented northeast/southwest (towards Mecca), to the square’s ensemble, which is oriented north/south. The Royal Mosque of Esfahan remains the most famous example of the colourful architecture which reached its high point in Iran under the Safavid dynasty. The pavilion of Ali Qapu forms the monumental entrance to the palatial zone and to the royal gardens which extend behind it. Its apartments, completely decorated with paintings and largely open to the outside, are renowned. On the square is its high portal (48 metres) flanked by several storeys of rooms and surmounted by a terrace (tâlâr) shaded by a practical roof resting on 18 thin wooden columns. All of the architectural elements of the Meidan Imam, including the arcades, are adorned with a profusion of enamelled ceramic tiles and with paintings, where floral ornamentation is dominant – flowering trees, vases, bouquets, etc. – without prejudice to the figurative compositions in the style of Riza-i Abbasi, who was head of the school of painting at Esfahan during the reign of Shah Abbas and was celebrated both inside and outside Persia.
Criterion (v): The royal square of Esfahan is an exceptional urban realisation in Iran, where cities are usually tightly laid out without open spaces, except for the courtyards of the caravanserais (roadside inns). This is an example of a form of urban architecture that is inherently vulnerable.
Criterion (vi): The Meidan Imam was the heart of the Safavid capital. Its vast sandy esplanade was used for promenades, for assembling troops, for playing polo, for celebrations, and for public executions. The arcades on all sides housed shops; above the portico to the large Qeyssariyeh bazaar a balcony accommodated musicians giving public concerts; the tâlâr of Ali Qapu was connected from behind to the throne room, where the shah occasionally received ambassadors. In short, the royal square of Esfahan was the preeminent monument of Persian socio-cultural life during the Safavid dynasty (1501-1722; 1729-1736).
Within the boundaries of the property are located all the elements and components necessary to express the Outstanding Universal Value of the property, including, among others, the public urban square and the two-storey arcades that delineate it, the Sheikh Lotfallah Mosque, the pavilion of Ali Qapu, the portico of Qeyssariyeh, and the Royal Mosque.
Threats to the integrity of the property include economic development, which is giving rise to pressures to allow the construction of multi-storey commercial and parking buildings in the historic centre within the buffer zone; road widening schemes, which threaten the boundaries of the property; the increasing number of tourists; and fire.
The historical monuments at Meidan Emam, Esfahan, are authentic in terms of their forms and design, materials and substance, locations and setting, and spirit. The surface of the public urban square, once covered with sand, is now paved with stone. A pond was placed at the centre of the square, lawns were installed in the 1990s, and two entrances were added to the northeastern and western ranges of the square. These and future renovations, undertaken by Cultural Heritage experts, nonetheless employ domestic knowledge and technology in the direction of maintaining the authenticity of the property.
Management and Protection requirements
Meidan Emam, Esfahan, which is public property, was registered in the national list of Iranian monuments as item no. 102 on 5 January 1932, in accordance with the National Heritage Protection Law (1930, updated 1998) and the Iranian Law on the Conservation of National Monuments (1982). Also registered individually are the Royal Mosque (Masjed-e Shah) (no. 107), Sheikh Lotfallah Mosque (no. 105), Ali Qapu pavilion (no. 104), and Qeyssariyeh portico (no. 103). The inscribed World Heritage property, which is owned by the Government of Iran, and its buffer zone are administered and supervised by the Iranian Cultural Heritage, Handicrafts and Tourism Organization (which is administered and funded by the Government of Iran), through its Esfahan office. The square enclosure belongs to the municipality; the bazaars around the square and the shops in the square’s environs are owned by the Endowments Office. There is a comprehensive municipal plan, but no Management Plan for the property. Financial resources (which are recognised as being inadequate) are provided through national, provincial, and municipal budgets and private individuals.
Sustaining the Outstanding Universal Value of the property over time will require developing, approving, and implementing a Management Plan for the property, in consultation with all stakeholders, that defines a strategic vision for the property and its buffer zone, considers infrastructure needs, and sets out a process to assess and control major development projects, with the objective of ensuring that the property does not suffer from adverse effects of development.