Göreme National Park and the Rock Sites of Cappadocia

Göreme National Park and the Rock Sites of Cappadocia

In a spectacular landscape, entirely sculpted by erosion, the Göreme valley and its surroundings contain rock-hewn sanctuaries that provide unique evidence of Byzantine art in the post-Iconoclastic period. Dwellings, troglodyte villages and underground towns – the remains of a traditional human habitat dating back to the 4th century – can also be seen there.

Parc national de Göreme et sites rupestres de Cappadoce

Dans un paysage saisissant modelé par l'érosion, la vallée de Göreme et ses environs abritent des sanctuaires rupestres, témoignages irremplaçables sur l'art byzantin de la période post-iconoclaste, ainsi que des habitations, des villages troglodytiques et des villes souterraines, vestiges d'un habitat humain traditionnel dont les débuts remontent au IVe siècle.

منتزه غوريم الوطني ومواقع كابادوس الصخرية

وسط مشهد أخاذ شكّله التآكل، يحتضن وادي غوريم وضواحيه أضرحة محفورة في الصخر تشكل شاهداً منقطع النظير على الفن البيزنطي في مرحلة ما بعد تحطيم الرموز الدينية، بالإضافة الى مساكن وقرى خاصة بسكان الكهوف ومدن جوفية متبقية من موطن بشري تقليدي تعود بداياته الى القرن الرابع.

source: UNESCO/ERI

希拉波利斯和帕姆卡莱

从平原上200米高的岩石中流出的泉水和水中的方解石形成了帕姆卡莱(土耳其语中意为“棉花宫殿”)这一特殊地貌。它由石林、石瀑布和一系列的梯形盆地组成。公元前2世纪末,阿塔利德斯王朝的帕加马国王们建立了希拉波利斯温泉站。这处遗址包括浴室的废墟、庙宇和其他希腊建筑。

source: UNESCO/ERI

Национальный парк Гёреме и пещерные постройки Каппадокии

Долина Гёреме и окрестности – это удивительный ландшафт, сформированный процессами эрозии. Здесь сосредоточено множество вырезанных в скалах пещерных церквей и монастырей, которые являются уникальными памятниками византийского искусства и иконоборческого периода. Отдельные жилища и целые подземные поселения – свидетельства традиционного образа жизни, относящиеся к периоду времени начиная с IV в.

source: UNESCO/ERI

Parque Nacional de Göreme y sitios rupestres de Capadocia

En el valle de Göreme y sus alrededores, en medio de un espectacular paisaje modelado por la erosión, hay toda una serie de santuarios rupestres que son testigos de excepción del arte bizantino del período posticonoclástico, así como viviendas y aldeas troglodíticas y subterráneas que son vestigios de un hábitat humano tradicional cuyos orígenes se remontan al siglo IV.

source: UNESCO/ERI

ギョレメ国立公園とカッパドキアの岩窟群

source: NFUAJ

Nationaal park Göreme en de rotsen van Cappadocië

De heiligdommen van Cappadocië vormen een unieke artistieke prestatie in een regio vol prachtige natuur. Ze getuigen van Byzantijnse kunst in de post-Iconoclastische periode (waarin het vervaardigen en het vereren van afbeeldingen (iconen) verboden was). De woningen, grotdorpen, ondergrondse steden, dorpskloosters en kerken bevatten de versteende overblijfselen van een traditionele menselijke leefomgeving die dateert uit de 4e eeuw. In die tijd begonnen ook de eerste kloosteractiviteiten. Later werden er grotdorpen en ondergrondse steden gebouwd, die dienden als toevluchtsoord. Het plateau van de Göreme-vallei is een spectaculair voorbeeld van de erosie van vulkanische tufsteensedimenten door wind en water. Typische kenmerken zijn pilaren, zuilen, torens, obelisken en naaldvormige uitstulpingen die hoogtes van 40 meter bereiken.

Source: unesco.nl

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Outstanding Universal Value

Brief synthesis

Located on the central Anatolia plateau within a volcanic landscape sculpted by erosion to form a succession of mountain ridges, valleys and pinnacles known as “fairy chimneys” or hoodoos, Göreme National Park and the Rock Sites of Cappadocia cover the region between the cities of Nevşehir, Ürgüp and Avanos, the sites of Karain, Karlık, Yeşilöz, Soğanlı and the subterranean cities of Kaymaklı and Derinkuyu. The area is bounded on the south and east by ranges of extinct volcanoes with Erciyes Dağ (3916 m) at one end and Hasan Dağ (3253 m) at the other. The density of its rock-hewn cells, churches, troglodyte villages and subterranean cities within the rock formations make it one of the world's most striking and largest cave-dwelling complexes. Though interesting from a geological and ethnological point of view, the incomparable beauty of the decor of the Christian sanctuaries makes Cappadocia one of the leading examples of the post-iconoclastic Byzantine art period.

It is believed that the first signs of monastic activity in Cappadocia date back to the 4th century at which time small anchorite communities, acting on the teachings of Basileios the Great, Bishop of Kayseri, began inhabiting cells hewn in the rock. In later periods, in order to resist Arab invasions, they began banding together into troglodyte villages or subterranean towns such as Kaymakli or Derinkuyu which served as places of refuge.

Cappadocian monasticism was already well established in the iconoclastic period (725-842) as illustrated by the decoration of many sanctuaries which kept a strict minimum of symbols (most often sculpted or tempera painted crosses). However, after 842 many rupestral churches were dug in Cappadocia and richly decorated with brightly coloured figurative painting. Those in the Göreme Valley include Tokalı Kilise and El Nazar Kilise (10th century), St. Barbara Kilise and Saklı Kilise (11th century) and Elmalı Kilise and Karanlık Kilise (end of the 12th – beginning of the 13th century).

Criterion (i): Owing to their quality and density, the rupestral sanctuaries of Cappadocia constitute a unique artistic achievement offering irreplaceable testimony to the post-iconoclastic Byzantine art period.

Criterion (iii): The rupestral dwellings, villages, convents and churches retain the fossilized image of a province of the Byzantine Empire between the 4th century and the arrival of the Seljuk Turks (1071). Thus, they are the essential vestiges of a civilization which has disappeared.

Criterion (v): Cappadocia is an outstanding example of a traditional human settlement which has become vulnerable under the combined effects of natural erosion and, more recently, tourism.

Criterion (vii): In a spectacular landscape dramatically demonstrating erosional forces, the Göreme Valley and its surroundings provide a globally renowned and accessible display of hoodoo landforms and other erosional features, which are of great beauty, and which interact with the cultural elements of the landscape.

Integrity

Göreme National Park and the Rock Sites of Cappadocia, having been extensively used and modified by man for centuries, is a landscape of harmony combining human interaction and settlement with dramatic natural landforms. There has been some earthquake damage to some of the cones and the pillars, but this is seen as a naturally occurring phenomenon. Overuse by tourists and some vandalism have been reported and some incompatible structures have been introduced.

The erosional processes that formed the distinctive conical rock structures will continue to create new fairy chimneys and rock pillars, however due to the rate of this process, the natural values of the property may still be threatened by unsustainable use. The cultural features, including rock-hewn churches and related cultural structures, mainly at risk of being undermined by erosion and other negative natural processes coupled with mass tourism and development pressures, can never be replaced. threats Some of the churches mentioned by early scholars such as C. Texier, H.G. Rott and Guillaume de Jerphanion are no longer extant.

Authenticity 

The property meets the conditions of authenticity as its values and their attributes, including its historical setting, form, design, material and workmanship adequately reflect the cultural and natural values recognized in the inscription criteria.

Given the technical difficulties of building in this region, where it is a matter of hewing out structures within the natural rock, creating architecture by the removal of material rather than by putting it together to form the elements of a building, the underlying morphological structure and the difficulties inherent in the handling of the material inhibited the creative impulses of the builders. This conditioning of human effort by natural conditions persisted almost unchanged through successive periods and civilizations, influencing the cultural attitudes and technical skills of each succeeding generation.

Protection and management requirements

The World Heritage property Göreme National Park and the Rock Sites of Cappadocia is subject to legal protection in accordance with both the Protection of Cultural and Natural Resources Act No. 2863 and the National Parks Act No. 2873. The entire territory between the cities of Nevşehir, Ürgüp and Avanos is designated as a National Park under the Act No. 2873. In addition, natural, archaeological, urban, and mixed archaeological and natural conservation areas, two underground towns, five troglodyte villages, and more than 200 individual rock-hewn churches, some of which contain numerous frescoes, have been entered into the register of immovable monuments and sites according to the Act No. 2863.

Legal protection, management and monitoring of the Göreme National Park and the Rock Sites of Cappadocia fall within the scope of national and regional governmental administrations. The Nevşehir and Kayseri Regional Conservation Councils are responsible for keeping the register of monuments and sites, including carrying out all tasks related to the legal protection of monuments and listed buildings and the approval to carry out any restoration-related works. They also evaluate regional and conservation area plans prepared by the responsible national and/or local (i.e. municipal) authorities.

Studies for revision and updating of the existing land use and conservation plan (Göreme National Park Long-term Development Plan) of 1981 were completed in 2003. The major planning decisions proposed were that natural conservation areas are to be protected as they were declared in 1976. Minor adjustments in the peripheral areas of settlements and spatial developments of towns located in the natural conservation sites including Göreme, Ortahisar, Çavuşin, Ürgüp and Mustafapaşa will be strictly controlled. In other words, the Plan proposes to confine the physical growth of these towns to recently established zones. Hotel developments will take into account the set limits for room capacities. Furthermore, the plan also suggested that local authorities should be advised to review land use decisions for areas that have been reserved for tourism developments in the town plans.

Preparation of conservation area plans for the urban and/or mixed urban-archaeological conservation sites within the historic sections of Göreme are in place and provide zoning criteria and the rules and guidelines to be used in the maintenance and restoration of listed buildings and other buildings which are not registered, but which are located within the historic zones. Similar planning studies for the towns of Ortahisar and Uçhisar are in place. Once finalised, a conservation area plan for the urban conservation area in Ürgüp will be in place. All relevant plans are kept up to date on a continuing basis.

Appropriate facilities aimed at improving the understanding of the World Heritage property have been completed for the subterranean towns of Kaymaklı and Derinkuyu, and are required for Göreme and Paşabağı.

Monuments in danger due to erosion, including the El Nazar, Elmalı, and Meryemana (Virgin Mary) churches, have been listed as monuments requiring priority action. Specific measures for their protection, restoration and maintenance are required at the site level.

While conservation plans and protection measures are in place for individual sites, it is recognised by the principal parties responsible for site management that an integrated Regional Plan for the Cappadocia Cultural and Tourism Conservation and Development Area is required to protect the World Heritage values of the property. Adequate financial, political and technical support is also required to secure the management of the property.

Long Description

The rupestral sanctuaries of Cappadocia constitute an unique artistic achievement in a region of superlative natural features, providing irreplaceable testimony to post-iconoclast Byzantium. The dwellings, village convents and churches retain the fossilized images of a province of the Byzantine Empire between the 4th century and the Turkish invasion.

The eroded plateau of the Göreme valley is a spectacular example of the effects of differential erosion of the volcanic tuff sediments by wind and water. Typical features are pillars, columns, towers, obelisks and needles that reach heights of 40 m. The major remnant of erosion, Akdağ (1,325 m), is the dominant feature in the valley. The nearby Erciyas volcano is still active with occasional minor eruptions. Its outstanding example represents the Earth's evolutionary history. Within these rock formations people have excavated a network of caves which served as refuges, residences, storage and places of worship dating from the 4th century. The surrounding landscape is agricultural with a number of small scattered rural villages.

The historical setting, the rock-hewn churches and the unusual eroded landforms combine to produce a mixed cultural/natural landscape of unusual appearance. Architectural styles are based on the local stone and the valley has changed little over the centuries.

Although the area has been extensively used and modified by man for centuries the resulting landscape is one of harmony and consideration of the intrinsic values of the natural landforms. There has been some earthquake damage to some of the cones and pillars but this is seen as a naturally occurring phenomenon. In the ruin like landscape of the Cappadocia plateau where natural erosion has sculpted the tuff into shapes which are eerily reminiscent of towers, spires, domes and pyramids, man has added to the workmanship of the elements by digging cells, churches and veritable subterranean cities which together make up one of the world's largest cave dwelling complexes. Although interesting from a geological and ethnological point of view, this phenomenal rupestral site excels especially for the incomparable beauty of the decor of the Christian sanctuaries whose features make Cappadocia one of the leading examples of post-iconoclast Byzantine art.

It is believed that the first signs of monastic activity in Cappadocia date back to the 4th century at which time, acting on the instructions of Basil the Great, Bishop of Caesarea (Kayseri), small anchoritic communities began inhabiting cells dug into the rock. Later on, in order to resist Arab forays they began banding together into troglodyte villages or subterranean towns such as Kaymaklı or Derinkuyu which served as places of refuge.

Cappadocian monasticism was already well established in the iconoclast period (725-842), as illustrated by the many sanctuaries, the decoration of which was held to the strict minimum of symbols (most often sculpted or tempera painted crosses). After 842, however, many rupestral churches were dug in Cappadocia. These churches were richly decorated with brightly coloured figurative painting. Among them were those in the Göreme valley: Tokalı Kilise, El Nazar Kilise (10th century), Barbara Kilise, Saklı Kilise (11th century), Elmalı Kilise and Karanlık Kilise (end of the 12th to beginning of the 13th centuries), etc.

Source: UNESCO/CLT/WHC