English Français

Gremi Church of Archangels and Royal Tower

Date de soumission : 24/10/2007
Critères: (ii)(iii)
Catégorie : Culturel
Soumis par :
Ministry of Culture, Monuments Protection and Sport of Georgia
État, province ou région :
Kakheti Region, Telavi District
Coordonnées N42 00 E45 39
Ref.: 5226
Avertissement

Les Listes indicatives des États parties sont publiées par le Centre du patrimoine mondial sur son site Internet et/ou dans les documents de travail afin de garantir la transparence et un accès aux informations et de faciliter l'harmonisation des Listes indicatives au niveau régional et sur le plan thématique.

Le contenu de chaque Liste indicative relève de la responsabilité exclusive de l'État partie concerné. La publication des Listes indicatives ne saurait être interprétée comme exprimant une prise de position de la part du Comité du patrimoine mondial, du Centre du patrimoine mondial ou du Secrétariat de l'UNESCO concernant le statut juridique d'un pays, d'un territoire, d'une ville, d'une zone ou de leurs frontières.

Les noms des biens figurent dans la langue dans laquelle les États parties les ont soumis.

Description

City of Gremi, capital of vanished Kachetian Kingdom of Georgia, located on the Gilian-Shemakha branch of the Great Silk Road, was destroyed by the army of Shah Abbas in XVI c. and never been restored since then. The ruins of Gremi city are now important Late Medieval archaeological site with ruins of churches, trading arcades, baths and dwellings. Gremi attracts visitors with the well-preserved architectural complex: Church of Archangels Michael and Gabriel and the Royal Tower.

The Gremi Church was built and painted upon the order of King Leon in 1565. Peculiar relation of proportions to separate volumes of Gremi Church attaches new features to traditional structure of Georgian cross-cupola churches. The main cross of the building is very high and narrow. The arches are arrowed and have not capitals or tractions. The dome is supported on two free-standing piers and the extensions of the apse. The fabric is of so-called Georgian brick. The façades are samples of developed brick church decorative system characteristic to late feudal epoch in Georgia. The forms of décor are achieved through deepening of planes and turquoise fittings. The wall painting of construction period is preserved inside the Church. The Gremi Church has become a prototype for a whole group of other church buildings in Georgia.

A three-store tower is erected beside the Church of Archangels. The two bottom floors are built earlier than the Church itself. There is a big, wide and high room on the ground floor. Along the back wall of the room, there is a corridor, which leads to the first and second floors. There is a belfry on the top of the tower.

The aspiration and rush for height of the Kachetian architecture is shown in Gremi with force incomparable hitherto. Elegance of silhouette of a Church and a Tower is an attractive architectural dominant in vast space. Through its location and interrelation with the surrounding landscape, the Gremi Church acquires outstanding artistic importance and remarkable force.

Déclarations d’authenticité et/ou d’intégrité

The authenticity of monument is completely preserved in architectural forms, materials, location and other necessary attributes. The physical condition of buildings can be characterised as good, while the part of wall painting is demolished. Conservation works have been regularly conducted on the Gremi Church during past decades.

Comparaison avec d’autres biens similaires

The architecture of Gremi Church can be compared at national dimension with the New Shuamta Monastery. These two monuments represent the same tradition regarding their architectural forms, proportions and design features.

The arrowed decorative arches are evident signs of Iranian influence in the decoration of façades, but the problem of origin and development of Muslim elements in Gremi is steel not studied. In Gremi we have not intimacy and domestic simplicity of Muslim architecture with its infinite carpet of décor. On the contrary, everything is severe and exalted here and seeks to create expanse and grandeur. Using "Muslim elements", the architect of Gremi combines them in completely different union.

The frescoes of Gremi Church are in direct relation with the "post-Byzantine" Greek painting tradition.