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Lednice-Valtice Cultural Landscape

Lednice-Valtice Cultural Landscape

Between the 17th and 20th centuries, the ruling dukes of Liechtenstein transformed their domains in southern Moravia into a striking landscape. It married Baroque architecture (mainly the work of Johann Bernhard Fischer von Erlach) and the classical and neo-Gothic style of the castles of Lednice and Valtice with countryside fashioned according to English romantic principles of landscape architecture. At 200 km2 , it is one of the largest artificial landscapes in Europe.

Paysage culturel de Lednice-Valtice

Entre le XVIIe et le XXe siècle, la famille ducale de Liechtenstein a fait de ses domaines du sud de la Moravie un paysage exceptionnel. À l’architecture baroque œuvre principalement de Johann Bernhard Fischer von Erlach classique et néogothique des châteaux de Lednice et Valtice, répond une nature travaillée selon les conceptions romantiques anglaises de l’art paysager. S’étendant sur 200 km2 , c’est un des paysages les plus vastes créés par l’homme en Europe.

منظر ليدنيتسه -فالتيتسه الثقافي

بين القرنين السابع عشر والعشرين، حوّلت عائلة ليشنشتاين الدوقية أراضيها الواقعة جنوب مورافيا الى منظر مذهل. فمقابل هندسة الباروك -  التي يختص  بها جوهان فيشر جون إيرلاخ والكلاسيكية والقوطية الجديدة التي تسبغ قصور ليدنيتسه وفالتيتسه، تتجلى الطبيعة بتصاميم رومنطيقية انكليزية. ويمتد هذا المنظر على مسافة 200 كيلومتر مربع ليكون أحد أضخم المشاهد التي خلقها الإنسان في أوروبا.

source: UNESCO/ERI

莱德尼采-瓦尔季采文化景观

17至20世纪期间,列支敦士登的统治者们将其南摩拉维亚(southern Moravia) 的领地建成了引人注目的风景区。莱德尼采—瓦尔季采的建筑城堡式巴洛克式、古哥特式以及新哥特式等多种风格的美妙结合,并融入了带有当时风靡英国的浪漫主义景观建筑风格的乡村景观。景区占地200平方公里,是欧洲最大的人工风景区之一。

source: UNESCO/ERI

Культурный ландшафт Леднице-Вальтице

В XVII-XX вв. правящие герцоги Лихтенштейна превратили свои владения в южной Моравии в изумительный ландшафт. Он сочетает в себе архитектуру барокко (главным образом работы Иоганна Бернхарда Фишера-фон-Эрлах), классический и неоготический стили (замки Леднице и Вальтице), а также романтический английский сельский пейзаж. Это один из самых обширных в Европе рукотворных ландшафтов, простирающийся на 200 кв. км.

source: UNESCO/ERI

Paisaje cultural de Lednice-Valtice

Entre los siglos XVII y XX, la familia ducal de Liechtenstein modeló un paisaje excepcional en sus dominios del sur de Moravia. Las obras arquitectónicas barrocas –debidas principalmente a Johann Bernhard Fischer von Erlach– y los palacios de estilo neoclásico y neogótico de Lednice y Valtice se armonizan con un paisaje configurado según la concepción romántica inglesa del paisajismo. Este paisaje artificial se extiende por unos 200 km2 y es uno de los más vastos creados por la mano del hombre de Europa.

source: UNESCO/ERI

レドニツェ-ヴァルティツェの文化的景観

source: NFUAJ

Cultuurlandschap van Lednice-Valtice

Het cultuurlandschap van Lednice-Valtice is een uitzonderlijk voorbeeld van een ontworpen gebied dat in de Verlichting en daarna evolueerde onder de hoede van een enkele familie. Tussen de 17e en 20e eeuw transformeerden de regerende hertogdommen van Liechtenstein hun domeinen in Zuid-Moravië tot een bijzonder landschap. Het gebied verenigde de barokke architectuur (vooral het werk van Johann Bernhard Fischer von Erlach) en klassieke, neogotische stijl van de kastelen van Lednice en Valtice, met een platteland die gevormd was volgens de Engels romantische principes van landschapsarchitectuur. Het terrein is 200 vierkante kilometer groot en vormt daarmee een van de grootste kunstmatige landschappen in Europa.

Source: unesco.nl

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Justification for Inscription

The Committee decided to inscribe the nominated property on the basis of cultural criteria (i),(ii) and (iv) considering that the site is of outstanding universal value being a cultural landscape which is an exceptional example of the designed landscape that evolved in the Enlightenment and afterwards under the care of a single family. It succeeds in bringing together in harmony cultural monuments from successive periods and both indigenous and exotic natural elements to create an outstanding work of human creativity. The Committee decided to include criterion (i) to the proposed criteria since the ensemble is an outstanding example of human creativity.

Long Description

The Lednice-Valtice landscape is of outstanding universal value as an exceptional example of the designed landscape that evolved in the Enlightenment and afterwards under the care of a single family. It succeeds in bringing together in harmony cultural monuments from successive periods and both indigenous and exotic natural elements to create an outstanding work of human creativity.

The Liechtenstein family came first to Lednice in the mid-13th century, and by the end of the 14th century they had also acquired nearby Valtice. These were to become the nucleus of the family's extensive possessions. When Karel I of Liechtenstein was given the title of duke in the early 17th century he made Valtice his main residence and Lednice his summer seat. The two estates were later joined with the neighbouring Břeclav estate to form an organic whole, to serve the recreational requirements of the ducal family and as material evidence of its prestige. The realization of this grandiose design began in the 17th century with the creation of avenues connecting Valtice with other parts of the estate. It continued throughout the 18th century with the evolution of a framework of avenues and paths providing vistas and rides, imposing order on nature in the manner of the Renaissance artists and architects. The early years of the 19th century saw the application by Duke Jan Josef I of the English concept of the designed park, strongly influenced by the work of Lancelot 'Capability' Brown at Stowe and elsewhere in England. Enormous landscaping projects were undertaken under the supervision of his estate manager, Bernhard Petri; these included raising the level of the Lednice Park and digging a new channel for the Dvje River. Smaller parks on the English model, the so-called Englische Anlagen, were also created around the three large ponds.

The composition of the landscape is based on the two chateaux, Lednice and Valtice. The Chateau of Valtice has medieval foundations, but it underwent successive reconstructions in Renaissance, Mannerist and, most significantly, Baroque style. Its present Baroque appearance is due to several architects, notably Johann Bernard Fischer von Erlach, Domenico Martinelli and Anton Johann Ospel. Along with the Baroque Church of the Assumption of the Virgin Maw, it is the dominant feature in the system of avenues created in the 17th and 18th centuries. By contrast, the Lednice chateau is not widely visible, the dominant role being taken by Hartmuth's exotic minaret, which is in keeping with the romantic ambience of Lednice. The chateau began as a Renaissance villa of around 1570, and then was progressively changed and reconstructed to take account of Baroque, classical and neo-Gothic fashions. It was the 1850 Gothic Revival reconstruction that brought it into harmony with the prevailing romanticism of this part of the landscape. Taking the landscape as a whole, it is the mingling and interplay of Baroque and Romantic elements that gives it a special character: architecture and landscape are intimately associated with one another. All the buildings are sited with great care at high points, as in the case of the Kolonada, the Rendezvous, Fishpond Manor or Pohansko, in the centre of major routes (the obelisk), or on a border or boundary (Hranicni Zamecek on the state boundary between Moravia and Lower Austria).

An important element in the appearance of the area is the very wide range of native and exotic tree species and the planting strategy adopted. The greatest variety is to be found in the parklands which cluster around the two main residences and along the banks of the fishponds between Lednice and Valtice, with in places a preponderance of exotic species. During his long tenure of the dukedom (1858-1929), Jan Josef II devoted himself to the improvement and maintenance of the landscape. He was an eager student of the works of great landscape architects such as J. H. Pöckler, P. J. Lenné and Gertrude Jekyll. The Pohanskó Manor is built on the site of an important hill fort of the Great Moravian period dating from the 8th century. The 2 km of massive ramparts enclosing an area of 28 ha are still visible. Excavations have revealed the court of the ruler, a church (the plan of which is preserved in situ ), several substantial houses and a rich burial ground.

Source: UNESCO/CLT/WHC
Historical Description

This area has been inhabited since the Paleolithic period, and has played an important role in subsequent historical events up to and beyond the Middle Ages. During the Neolithic and Bronze Ages it lay on the important Amber Route from the Baltic to the Mediterranean. It was on the frontier (limes) of the Roman Empire, and so there are Several forts in the vicinity. In the 8th century the first Slavonic state, the Great Moravian Empire, was founded in this region, which later became part of the Bohemian state.

The Lichtenstein family came first to Lednice in the mid-13th century, and by the end of the 14th century they had also acquired nearby Valtice. These were to become the nucleus of the family's extensive possessions, when Karel I of Lichtenstein was given the title of Duke in the early 17th century he made Valtice his main residence and Leunice his summer Seat. The two estates were later joined with the neighbouring Břeclav estate to form an organic whole, to serve the recreational requirements of the ducal family and as material evidence of its prestige.

The realization of this grandiose design began in the 17th century with the creation of avenues Connecting Valtice with other Parts of the estate. It continued throughout the 18th century with the evolution of a framework of avenues and paths providing vistas and rides, imposing order on nature in the manner of the Renaissance artists and architects. The early years of the 19th Century saw the application by Duke Jan Josef I of the English concept of the designed park, strongly influenced by the work of Lancelot "Capability" Brown at Stowe and elsewhere in England. Enormous landscaping projects were undertaken under the supervision of his estate manager, Bernhard Petri; these included raising the level of the Lednice park and the digging of a new channel for the Dvje river. A number of romantic elements were introduced into the landscape, the work of the architects joseph Hardtmuth, Josef Kornhausel, and Franz Engel. Smaller parks on the English model, the so-called Englische Anlagen, were also created around the Mlýnský, Prostřední, and Hlohovecky ponds.

Source: Advisory Body Evaluation
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