Rapa Nui National Park
Rapa Nui National Park
Rapa Nui, the indigenous name of Easter Island, bears witness to a unique cultural phenomenon. A society of Polynesian origin that settled there c. A.D. 300 established a powerful, imaginative and original tradition of monumental sculpture and architecture, free from any external influence. From the 10th to the 16th century this society built shrines and erected enormous stone figures known as moai , which created an unrivalled cultural landscape that continues to fascinate people throughout the world.
Parc national de Rapa Nui
Rapa Nui, nom autochtone de l'île de Pâques, témoigne d'un phénomène culturel unique au monde. Installée aux environs de l'an 300, une société d'origine polynésienne a développé ici, en dehors de toute influence, une tradition de sculpture et d'architecture monumentales puissante, imaginative et originale. Du Xe au XVIe siècle, elle bâtit des sanctuaires et dressa des personnages gigantesques en pierre, les moai , qui, créant un paysage culturel sans égal, fascinent aujourd'hui le monde entier.
منتزه رابا نوي الوطني
يعكس منتزه رابا نوي، وهو الإسم الأصلي لجزيرة الفصح، ظاهرة ثقافية فريدة في نوعها في العالم أجمع. وقرابة العام 300، شكّل هذا المنتزه موطناً لمجتمع من أصل بولينيزي روّج فيها، وبعيداً عن أي نفوذ خارجي، لتقليد مهم وابتكاري وأصيل من الننحت والهندسة المعمارية. وبين القرنين العاشر والسادس عشر، شيّد هذا المجتمع المحلي أماكن عبادة وتماثيل ضخمة من الحجر، أو الـ "موآي" بالإسبانية، تشكّل إطاراً ثقافياً منقطع النظير لا يزال يسحر العالم كله حتى يومنا هذا.
Национальный парк Рапануи (остров Пасхи)
Рапануи, туземное название острова Пасхи, является свидетельством уникального культурного феномена. Сообщество полинезийского происхождения проживает здесь с IV в., создав мощную, богатую образами, своеобразную традицию монументальной скульптуры и архитектуры, свободную от каких-либо внешних влияний. В период X - XVI вв. это сообщество построило святилища и воздвигло огромные каменные статуи, известные как «моаи», формирующие неповторимый культурный ландшафт, который продолжает поражать людей со всего мира.
Parque Nacional de Rapa Nui
Rapa Nui –nombre indígena de la Isla de Pascua– ofrece el testimonio de un fenómeno cultural único en el mundo. Asentada en esta isla hacia el año 300 d.C., una sociedad de origen polinesio creó, al margen de toda influencia externa, grandiosas formas arquitectónicas y esculturales dotadas de una gran fuerza, imaginación y originalidad. Desde el siglo X al XVI, construyó santuarios y esculpió numerosos ”moai“, gigantescos personajes de piedra que forman un paisaje cultural inigualable y fascinan hoy al mundo entero.
Nationaal park Rapa Nui
Rapa Nui, de inheemse naam van Paaseiland, getuigt van een uniek cultureel fenomeen. Rond 300 na Christus vestigde zich hier een samenleving van Polynesische oorsprong die een krachtige, creatieve en originele traditie vestigde van beeldhouwkunst en architectuur, vrij van elke invloed van buitenaf. Het hoge culturele niveau is zichtbaar in monumentale stenen figuren (moai) en ceremoniële heiligdommen (ahu) die ze van de 10e tot de 16e eeuw bouwden en oprichtten. Daarnaast kende het volk een opmerkelijke vorm van pictografisch schrijven (Rongo Rongo), dat tot nu toe niet ontcijferd is. Het landschap van Rapa Nui is ongeëvenaard en blijft mensen over de hele wereld fascineren.
Outstanding Universal Value
Rapa Nui National Park is a protected Chilean wildlife area located in Easter Island, which concentrates the legacy of the Rapa Nui culture. This culture displayed extraordinary characteristics that are expressed in singular architecture and sculpture within the Polynesian context. Easter Island, the most remote inhabited island on the planet, is 3,700 kilometres from the coast of continental Chile and has an area of 16,628 hectares while the World Heritage property occupies an area of approximately seven thousand hectares, including four nearby islets.
The island was colonized toward the end of the first millennium of the Christian era by a small group of settlers from Eastern Polynesia, whose culture manifested itself between the eleventh and seventeenth centuries in great works such as the ahu –ceremonial platforms- and carved moai - colossal statues- representing ancestors. Rapa Nui National Park most prominent attributes are the archaeological sites. It is estimated that there are about 900 statues, more than 300 ceremonial platforms and thousands of structures related to agriculture, funeral rites, housing and production, and other types of activities. Prominent among the archaeological pieces are the moai that range in height from 2 m to 20 m and are for the most part carved from the yellow–brown lava tuff, using simple picks (toki) made from hard basalt and then lowered down the slopes into previously dug holes. There are many kinds of them and of different sizes: those in the process of being carved, those in the process of being moved to their final destinations –the ahu-, those being torn down and erected. The quarries (Rano Raraku and others) are invaluable evidence of the process of their carving. The ahu vary considerably in size and form; the most colossal is the Ahu Tongariki, with its 15 moai. There are certain constant features, notably a raised rectangular platform of large worked stones filled with rubble, a ramp often paved with rounded beach pebbles, and levelled area in front of the platform. Also extremely valuable are the rock art sites (pictographs and petroglyphs), which include a large variety of styles, techniques and motifs. Other archaeological sites are the caves, which also contain rock art. There is also a village of ceremonial nature named Orongo which stands out because of its location and architecture. While it has not attracted as much attention, the housing and productive structures are of extreme interest.
According to some studies, the depletion of natural resources had brought about an ecological crisis and the decline of the ancient Rapa Nui society by the 16th century, which led to decline and to the spiritual transformation in which these megalithic monuments were destroyed. The original cult of the ancestor was replaced by the cult of the man-bird, which has as exceptional testimony the ceremonial village of Orongo, located at the Rano Kau volcano. Fifty-four semi-subterranean stone-houses of elliptical floor plans complement this sacred place, profusely decorated with petroglyphs alluding to both the man-bird and fertility. This cult would see its end in the middle of the nineteenth century.
Colonization, the introduction of livestock, the confinement of the original inhabitants to smaller areas, the dramatic effect of foreign diseases and, above all, slavery, reduced the population of Rapa Nui to little more than a hundred. Currently, the island is inhabited by descendants of the ancient Rapa Nui as well as immigrants from diverse backgrounds, accounting for a significant mixed population.
Critère (i) : Le parc national de Rapa Nui présente l’un des plus remarquables phénomènes culturels au monde. Une tradition artistique et culturelle d’une grande puissance et dotée d’une grande imagination a été développée par une société totalement isolée des influences culturelles extérieures de toute sorte sur une période de plus de mille ans.
Criterion (iii): Rapa Nui, the indigenous name of Easter Island, bears witness to a unique cultural phenomenon. A society of Polynesian origin that settled there c. A.D. 300 established a powerful, imaginative and original tradition of monumental sculpture and architecture, free from any external influence. From the 10th to the 16th century this society built shrines and erected enormous stone figures known as moai, which created an unrivalled landscape that continues to fascinate people throughout the world.
Criterion (v):Rapa Nui National Park is a testimony to the undeniably unique character of a culture that suffered a debacle as a result of an ecological crisis followed by the irruption from the outside world. The substantial remains of this culture blend with their natural surroundings to create an unparalleled cultural landscape.
The Rapa Nui National Park covers approximately 40% of the island and incorporates an ensemble of sites that is highly representative of the totality of the archaeological sites and of the most outstanding manifestations of their numerous typologies. The integrity of the archaeological sites has been preserved, but the conservation of materials is a matter of great concern and scientific research. The management and conservation efforts, still insufficient, focus on addressing anthropic factors and the effects of weathering, both on the material -volcanic lava and tuff- and on the stability of structures. Progress has been made in the closure of areas, monitoring and the layout of roads so as to maintain the visual integrity of the landscape.
An increase has been observed in cattle that wander illegally inside the Park limits. In terms of invasive vegetation, certain species have proliferated and have had an impact on the landscape. At the same time, they have adversely affected the structural stability which is being addressed through the management of the sites.
The Rapa Nui National Park continues to exhibit a high degree of authenticity because there has been little intervention since virtual abandonment of the area in the later 19th century. A number of restorations and reconstructions of ahu have been made on the basis of strictly controlled scientific investigations, and there has been some re-erection of fallen moai, with replacement of the red stone headdresses, but these do not go beyond the permissible limits of anastylosis.
Authenticity is being maintained and conservation interventions are consistent with the Outstanding Universal Value of the property, with prevailing sense of respect for the historical transformation of the Rapa Nui culture, which, in a context of deep crisis, toppled the moai. In this respect, it is important to consider that the Rapa Nui National Park must provide an account of the various stages of the Rapa Nui civilization, not excluding that of its crisis.
Protection and management requirements
The Rapa Nui National Park has two official protections. On one hand, since 1935 it has been a national park, administered by the National Forest Service of Chile (CONAF). On the other hand, the entire island was declared a National Monument in 1935 and the same was done with the islets adjacent to Easter Island in 1976. The property enjoys a solid legal and institutional framework for protection and management. There are two institutions responsible for this activity that coordinate with each other (National Monuments Council and CONAF) and with the community for conservation and management. There is a museum, the R. P. Sebastian Englert Museum of Anthropology, which supports research and conservation efforts. A management plan is in place which undergoes periodic review and there is a team in charge of Park administration. Nevertheless, site management becomes complex because of cultural differences and the reluctances from part of some sectors of the local community about State intervention.
Visitor management is a great imperative, with challenges in establishing carrying capacity and providing infrastructure of basic services and interpretation. Also, it is necessary that the local population effectively support the conservation effort, for example, through livestock control.
A better dialogue is necessary among researchers to reach conclusions on the available knowledge and to manage it in a functional manner conducive to conservation; to systematize the information produced and generate a periodic, comprehensive and sustainable monitoring system. Additional staff and resources are needed for the administration and care of the site, to reinforce the number and training of the park rangers team, and to increase the operating budget. There is a constant pressure on park lands; the State must prevent its illegal occupation.
The essential requirement for the protection and management of this property lies in its multifaceted status as a World Heritage site, as a reference point and basis for the development of the population of the island, and repository of answers to fundamental questions that are far from being revealed.
Rapa Nui contains one of the most remarkable cultural phenomena in the world. An artistic and architectural tradition of great power and imagination was developed by a society completely isolated from external cultural influences of any kind for over a millennium. The substantial remains of this culture blend with their natural surroundings to create an unparalleled cultural landscape.
The island was settled around AD 300 by Polynesians, probably from the Marquesas, who brought with them a wholly Stone Age society. All the cultural elements in Rapa Nui before the arrival of Europeans indicate that there were no other incoming groups. Between the 10th and 16th centuries the island community expanded steadily, settlements being set up along practically the entire coastline. The high cultural level of this society is best known from its monumental stone figures (moai ) and ceremonial shrines (ahu ); it is also noteworthy for a form of pictographic writing (rongo rongo ), so far undeciphered.
However, there was an economic and social crisis in the community in the 16th century, attributable to over-population and environmental deterioration. This resulted in the population being divided into two separate groups of clans who were constantly involved in warfare. The warrior class that evolved from this situation gave rise to the so-called Birdman cult, based on the small islands offshore of Orongo, which superseded the statue-building religion and threw down most and slighted most of the moai and ahu.
On Easter Sunday 1722 Jacob Roggveen of the Dutch East India Company chanced upon the island and gave it its European name. It was annexed to Chile in 1888.
The most famous archaeological features of Rapa Nui are the moai, which are believed to represent sacred ancestors who watch over the villages and ceremonial areas. They range in height from 2 m to 20 m and are for the most part carved from the scoria, using simple picks (toli ) made from hard basalt and then lowered down the slopes into previously dug holes.
A number of moai are still in an uncompleted condition in the quarries, providing valuable information about the method of manufacture. Some have large cylindrical pieces of red stone known as pukao, extracted from the small volcano Punapao, as headdresses: these are believed to denote special ritual status. There is a clear stylistic evolution in the form and size of the moai, from the earlier small, round-headed and round-eyed figures to the best-known large, elongated figures with carefully carved fingers, nostrils, long ears, and other features.
The shrines (ahu) vary considerably in size and form. There are certain constant features, notably a raised rectangular platform of large worked stones filled with rubble, a ramp often paved with rounded beach pebbles, and levelled area in front of the platform. Some have moai on them, and there are tombs in a number of them in which skeletal remains have been discovered. The ahu are generally located on the coast and oriented parallel to it.
The Orongo ceremonial village, which was probably the centre of a complex of religious practices related to the Birdman cult, consists of over fifty semi-subterranean stone-houses built in contiguous groups, located on the rim of the Ran Kay crater below a towering cliff. There are abundant remains of the stone houses (hare) built by the earlier inhabitants of the island. The houses were raised on basalt foundation and form the nucleus for associated structures such as ovens or hearths, farm buildings and stone chicken houses. House groups sited near the coast are sometimes associated with round stone towers.
The nature of the geology of the island in such that are many caves (ana ) around the coast of the island, and these were used in the past by the islanders as temporary of permanent dwellings, being converted by the erection of stone walls at their mouths. A number of these contain wall paintings of deities, birds and fertility symbols.Source: UNESCO/CLT/WHC
Rapa Nui was settled around AD 300 by Polynesians, probably from the Marquesas, who brought with them a wholly Stone Age society. All the cultural elements in Rapa Nui prior to the arrival of Europeans indicate that there were no other incoming groups; they rule out the many hypotheses that have been advanced regarding settlement from South America, Melanesia, Egypt, or elsewhere. According to island tradition, the colonizing expedition of fifty people in two canoes was led by King Hotu Matu'a.
Between the 10th and 16th centuries the island community expanded steadily, small settlements being set up along practically the entire coastline. The high cultural level of this society was high, and is best known from its monumental stone figures that evolved from this Situation gave rise to the socalled "Birdman" cult, based on the small islands Offshore of Orongo, which superseded the statue-building religion and was instrumental in most of the moai and ahu being thrown down and slighted.
On Easter Sunday 1722 Jacob Roggeveen of the Dutch East India Company chanced upon the island, and gave it its European name. The Spanish, led by Captain Don Felipe Gonzalez, claimed the island in 1770, naming it San Carlos in honour of Carlos III. The celebrated English explorer, Captain James Cook, was there briefly in 1774, and his great French contemporary, the Comte de la Perouse, in 1786. Whalers began to call at the island in the early 19th century, bringing with them venereal disease, which ravaged the population. However, the most devastating impact on the island's society and culture came in the 1860s, when Peruvian slavers carried off some two thousand islanders, including the king and the priests, in 1862. AS a result of public protests, about a hundred of them were put on a ship to be taken back to the island in 1865. However, smallpox broke out on board and only fifteen islanders survived to return to Rapa Nui, bringing with them the disease which led to an epidemic that nearly wiped out the remaining islanders: by 1877 only 111 inhabitants remained out of the estimated population of around 10,000 When Europeans first arrived. The island was annexed by Chile in 1888 in the belief that it had strategic and economic potential, but the mainland farmers who settled there found that agriculture was not profitable. A sheep ranch was moderately successful, but the lease of the company running this operation was revoked in 1952 and the Chilean Navy took control of the island. In the 1960's civil administration was resumed, Easter Island being given the status of a department within the province of Valparaiso. The population is now around two thousand people, about one third of them from Chile and the remainder descendants of the original Polynesian settlers.Source: Advisory Body Evaluation