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Archaeological Site of Mystras

Archaeological Site of Mystras

Mystras, the 'wonder of the Morea', was built as an amphitheatre around the fortress erected in 1249 by the prince of Achaia, William of Villehardouin. Reconquered by the Byzantines, then occupied by the Turks and the Venetians, the city was abandoned in 1832, leaving only the breathtaking medieval ruins, standing in a beautiful landscape.

Site archéologique de Mystras

Mystras, la « merveille de Morée », fut bâtie en amphithéâtre autour de la forteresse élevée en 1249 par le prince d'Achaïe, Guillaume de Villehardouin. Reconquise par les Byzantins, puis occupée par les Turcs et les Vénitiens, la ville fut entièrement abandonnée en 1832. Seul demeure un ensemble saisissant de ruines médiévales dans un paysage d'une grande beauté.

مدينة ميستراس

شُيّدت مدينة ميستراس الملقّبة بروعة موريه في مدّرج يقع حول القلعة التي بناها عام 1249 أمير ولاية أكاييه المدعو غييوم دي فيلاردوين. إنّ المدينة التي أعاد فتحها البيزنطيون ومن ثم الأتراك والبنادقة هُجرت بالكامل عام 1832، ولم يبقَ منها إلا مجموعة لافتة من الآثار العائدة للقرون الوسطى تقع في مشهد خلاب.

source: UNESCO/ERI

米斯特拉斯考古遗址

米斯特拉斯,“摩里亚半岛之奇迹”,于1249年由亚该亚王子维拉杜安的威廉修建,用来作为围绕堡垒的一个圆形剧场。被拜占庭人再度征服后,这里又相继被土耳其人和威尼斯人占领,后于1832年遭到遗弃,剩下的只是美丽的风景之中令人惊叹的中世纪废墟。

source: UNESCO/ERI

Древний город Мистра

Город Мистра – «чудо Мореи» - был построен в виде амфитеатра вокруг крепости, возведенной в 1249 г. Гийомом де Вильардуэн, князем Ахайи. Перестроенный византийцами, позже оккупированный турками и венецианцами, город был оставлен жителями в 1832 г. От него остались только захватывающие дух средневековые руины, расположенные в окружении прекрасного ландшафта.

source: UNESCO/ERI

Sitio arqueológico de Mistras

Mistras, denominada la “maravilla de Morea”, fue edificada en forma de anfiteatro en torno a la fortaleza construida en 1249 por Guillermo de Villehardouin, príncipe de Acaya. Reconquistada por los bizantinos y ocupada luego por los turcos y los venecianos, la ciudad fue totalmente abandonada en 1832. Sólo se conserva un impresionante conjunto de ruinas medievales en un paisaje de una gran belleza.

source: UNESCO/ERI

ミストラ遺跡

source: NFUAJ

Archeologische plaats Mystras

Mystras, het ‘wonder van de Morea’, werd als een amfitheater rond de vesting gebouwd die door de prins van Achaia, Willem van Villehardouin, in 1249 was opgericht. De stad kreeg de titel ‘wonder van Morea’ om meerdere redenen. Ten eerste vanwege de prachtige kerken die tijdens de Paleologische renaissance (eind 13e eeuw) rijkelijk met prachtige fresco’s beschilderd waren. Maar ook vanwege de faam van de bibliotheken en de roem van zijn schrijvers. Mystras viel in 1460 in de handen van Mohammed II en heeft zich nooit kunnen herstellen in zijn vroegere grandeur. De stad werd in 1832 definitief verlaten. Alleen de adembenemende middeleeuwse ruïnes zijn overgebleven.

Source: unesco.nl

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Archaeological Site of Mystras (Greece) © Yvon Fruneau
Outstanding Universal Value

Brief synthesis

Mystras, the ‘wonder of the Morea’, lies in the southeast of the Peloponnese. The town developed down the hillside from the fortress built in 1249 by the prince of Achaia, William II of Villehardouin, at the top of a 620 m high hill overlooking Sparta. The Franks surrendered the castle to the Byzantines in 1262, it was the centre of Byzantine power in southern Greece, first as the base of the military governor and from 1348 as the seat of the Despotate of Morea. Captured by the Turks in 1460, it was occupied thereafter by them and the Venetians. After 1834 the inhabitants of Mystras gradually started to move to the modern town of Sparta leaving only the breath-taking medieval ruins, standing in a beautiful landscape.

Mystras, as the centre of Byzantine power, quickly attracted inhabitants and institutions; the bishopric was transferred there from Sparta, with its cathedral, the Metropolis or church of Hagios Demetrios, built after 1264. Many monasteries were founded there, including those of the Brontochion and the monastery of Christos Zoodotes (Christ the Giver of Life). Under the Despots, Mystras reached its zenith with the building of churches, outstanding examples of Late Byzantine church architecture, such as Hagioi Theodoroi (1290-1295), the Hodegetria (c. 1310), the Hagia Sophia (1350-1365), the Peribleptos (3rd quarter of the 14th century), the Evangelistria (late 14th – early 15th century) and the Pantanassa (c. 1430). The city was a major piece on the political chessboard of the time and was developed and beautified as befitted its role as a centre of power and culture. The city’s complex history is clearly evident in its fortifications, palaces, churches, convents, houses, streets and public squares.

Mystras’ distinct architecture is influenced by the so-called “Helladic” school of Byzantine architecture as well as the architecture of Constantinople. The painting of churches reflects the quality and the eclecticism of the art of Constantinople. Elements of Romanesque and Gothic art are also present as a result of the city’s wide range of contacts during the 14th and 15th centuries. The beauty of its churches, which during the Palaeologan Renaissance were covered with magnificent frescoes, the renown of its libraries and the glory of its writers, including the philosopher Georgios Gemistos Plethon and his pupil, the intellectual Bessarion, later cardinal of the Roman Catholic church, who brought neo-platonic humanism to Italy, gave substance thereafter to the legend of the Wonder of the Morea. Mystras is therefore a truly outstanding example of late Byzantine culture which influenced the rest of the Mediterranean world and beyond. 

Criterion (ii): Mystras constitutes a medieval city whose art, the fruit of the so-called Palaeologan Renaissance, influenced the development of Late Byzantine and Post-byzantine art. The influence of the art of Mystras during the late and post Byzantine era is visible on a large number of monuments in the Peloponnese (such as Geraki, Mani, Longanikos, Leontari, Roinos) especially in painting. During the late Byzantine period the radiance of the art of the Despotate seems to influence the artistic streams which are developed throughout the Greek territory – including that of the Cretan School painting – always in combination with the powerful influence exerted by the art of Constantinople. This influence can be easily seen on the works of post-Byzantine painters, such as Xenos Digenis originating from the Despotate who was active in Crete, Aitolia, and Ipeiros or the family of Phokas in Crete and many others. The heritage of Mystras is apparent not only in architecture and painting but also in intellectual aspects. Distinguished intellectuals of Mystras, amongst them, Georgios Gemistos Plethon, the Neoplatonist philosopher, aroused the interest of the West for the interpretation of Platonic philosophy and the study of ancient Greek texts, thus contributing to the European Renaissance. 

Criterion (iii): Mystras constitutes a unique example of a Byzantine city, an expression of flourishing urban society within the late Byzantine Empire. As a political and administrative provincial centre of the Byzantine state, Mystras became a unique intellectual, cultural and artistic centre. 

Criterion (iv): Mystras is an exceptional example of a well-preserved fortified late-Byzantine city with elaborate spatial planning organization, and fortifications with the citadel on top of the hill and two fortified precincts at the lower level. The urban fabric of the city includes palaces, residences and mansions, churches and monasteries, as well as constructions related to the city’s water supply and drainage and to commercial and craft-based activities. Various architectural styles are applied in ecclesiastical architecture, but the so-called “mixed type of Mystras” (in which a three aisled basilica at ground level is combined with a five-domed cross-in-square at the level of the gallery) is dominant. The splendid complex of palaces, one of the few Byzantine survivals, the impressive mansions and the urban residences clearly demonstrate the high quality of life of the city’s inhabitants in the two last centuries of the Byzantine Empire. 

Integrity

Mystras was a living settlement from the 13th century to the 19th century when it gradually started to be deserted due to the foundation of the new town of Sparta. It retained its completeness as a fortified urban unit of the late-Byzantine period. The boundaries of the property include all the significant attributes. Its well-preserved monuments strongly demonstrate its importance as one of the most notable administrative and ecclesiastical centres of its era. Three of the most important religious monuments of Mystras, the Metropolis or church of Hagios Demetrios, Hodegetria and Pantanassa, maintain occasionally their religious use. Potential risks to the city are the impact of wind and rain, and there is some risk of earthquake. 

Authenticity

Mystras constitutes a monumental late-Byzantine complex with distinct and well-preserved elements such as land-planning, street planning, secular and ecclesiastical architecture, and artistic production. Its authentic urban character, which has not been affected by human interventions, has been preserved through the centuries. The most important monuments on the site give the visitor the chance to perceive various aspects of the Byzantine culture. The restoration works on selected monuments on the site are carried out according to research and scientific studies and with the use of traditional techniques and materials and aim to restore the values represented. 

Protection and management requirements

The property is protected by the provisions of the Archaeological Law 3028/2002 “On the Protection of Antiquities and Cultural Heritage in general”, and by separate ministerial decrees, published in the Official Government Gazette. Protection and management are carried out by the Ministry of Culture, Education and Religious Affairs through the responsible regional service (Ephorate of Antiquities of Lakonia).

The “Committee for the Restoration of the Monuments of Mystras”, supervised by the Ministry of Culture, Education and Religious Affairs, has the responsibility to carry out restoration works on the monuments of Mystras and to promote the values of the property. 

Since 1989 significant works have been carried out at the property including restoration work on the palaces and the residence of Laskaris; redisplay of the exhibits of the Museum of Mystras where selected items bear witness to the mutual relations between Mystras and Western Europe; reorganization of the archaeological store; creation of a sculpture exhibition at the northern atrium and the semi-open space of the Museum; conservation of the paintings and sculptures of the churches; installation of infrastructure works such as a water supply network, a sewage system, electricity in case of emergency; provision of visitor services and facilities including information signs, two ticket offices, drinking water facilities, lavatory facilities nearby the central entrance and a canteen outside the central entrance. In addition, there has been research on the architecture of the monuments and the spatial arrangement as well as conservation studies focusing on the mural, sculptural and floor decoration of the most important monuments of Mystras.

Visitor numbers are high especially during the summer period. There is also increased interest from schools and university students.

An events program, including information and educational events, musical and theatrical performances, exhibitions, educational programs and publications, supports the promotion and presentation of this property to the public and facilitates a multi-levelled approach by the public.