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Osun-Osogbo Sacred Grove

Osun-Osogbo Sacred Grove

The dense forest of the Osun Sacred Grove, on the outskirts of the city of Osogbo, is one of the last remnants of primary high forest in southern Nigeria. Regarded as the abode of the goddess of fertility Osun, one of the pantheon of Yoruba gods, the landscape of the grove and its meandering river is dotted with sanctuaries and shrines, sculptures and art works in honour of Osun and other deities. The sacred grove, which is now seen as a symbol of identity for all Yoruba people, is probably the last in Yoruba culture. It testifies to the once widespread practice of establishing sacred groves outside all settlements.

Forêt sacrée d’Osun-Oshogbo

La dense forêt sacrée d’Osun, à la périphérie de la ville d’Oshogbo, est l’une des dernières zones de la forêt primaire qui subsiste au sud du Nigéria. Elle est considérée comme la demeure d’Osun, une des divinités du panthéon yoruba. La forêt, sillonnée par la rivière Osun, abrite des sanctuaires, des sculptures et des œuvres d’art érigés en l’honneur d’Osun et d’autres divinités yorubas. La forêt, désormais considérée par tout le peuple yoruba comme un symbole identitaire, est probablement la dernière forêt sacrée de la culture yoruba. Elle témoigne de la coutume, jadis très répandue, qui consistait à établir des lieux sacrés loin de toute habitation humaine.

غابة أوسون-أوشوغبو المقدسة

تمثل غابة أوسون المقدّسة في ضاحية مدينة أوشوغبو إحدى آخر مناطق الغابة البدائيّة المتبقيّة في جنوب نيجيريا. وتعتبر بمثابة منزل أوسون، إحدى آلهة ديانة يوروبا. تأوي هذه الغابة، التي يعبرها نهر أوسون، معابد ومنحوتات وصروحًا فنية شيِّدت على شرف أوسون وغيرها من آلهة يوروبا. كما أن هذه الغابة التي باتت تُعتبَر في نظر مجمل مجموعة يوروبا بوصفها رمزًا للهوية، ربما تشكل آخر غابة مقدَّسة في ثقافة يوروبا. وهي امتداد للعادات التي كانت واسعة الانتشار في الماضي، وتقضي بإقامة الأمكنة المقدسة بعيدًا عن الأمكنة السكنية.

source: UNESCO/ERI

奥孙-奥索博神树林

奥孙神树林密集的林地位于奥索博市郊外,是尼日利亚南部主要乔木树种的最后残留地之一。这里被视为约鲁巴神的万神殿之一,即生育女神奥孙的住所,大量的神祠、雕塑品和艺术作品星罗棋布地分布在树林中蜿蜒的小河边,以纪念奥孙和其他约鲁巴神灵。目前看到的作为所有约鲁巴人身份象征的神树林,可能是约鲁巴文化中最后一片神圣的树林。奥孙-奥索博神树林是曾经在所有定居点之外广泛种植神圣树林做法的见证。

source: UNESCO/ERI

Священная роща Осун-Осогбо

Густые заросли Священной рощи Осун в окрестности города Осогбо – это один из последних массивов первичных влажнотропических лесов на юге Нигерии. Почитаемый как место обитания богини плодородия Осун, входящей в пантеон богов народа йоруба, ландшафт включает рощу и протекающую здесь извилистую реку. Он содержит большое количество святилищ, скульптур и произведений искусства, посвященных Осун и другим божествам йоруба. Этот объект, который считается ныне символом самоидентификации народа йоруба, вероятно, является последней священной рощей этой культуры. Он иллюстрирует распространенный в старые времена обычай закладывать такую рощу около каждого поселения.

source: UNESCO/ERI

Bosque sagrado de Ochún-Oshogbo

Situado en la periferia de la ciudad de Oshogbo y surcado por los serpenteantes meandros de un río, el tupido bosque sagrado de Ochún es uno de los últimos residuos de bosque primario subsistentes en el sur de Nigeria. Considerado morada de Ochún, diosa de la fertilidad, este sitio alberga esculturas y santuarios dedicados a esta y otras divinidades de los yorubas. Es probablemente el último de los bosques sagrados de esta etnia y, por eso, se ha convertido en un símbolo de su identidad. El sitio atestigua la práctica –muy extendida en otros tiempos– de consagrar bosques a las divinidades en los alrededores de todos los asentamientos de población.

source: UNESCO/ERI

オスン-オソボ聖林
オソボの都市郊外にあるオスン聖林は、ナイジェリア南部の高地原生林で、最後に残された密林のひとつである。聖林はヨルバの神々のなかの一神、豊饒の女神オスンの住居とされ、美しい景観の木立や曲流する川には、聖域や神殿、オスン及び他のヨルバの神性に敬意を表した彫刻や芸術作品が散在している。現在でも、すべてのヨルバの人びとにとってアイデンティティの象徴とみなされていることの森林は、おそらくヨルバ文化における最後の聖林である。

source: NFUAJ

Heilige bos Osun-Osogbo

Het dichte woud van het Osun Heilige bos, aan de rand van de stad Osogbo, is een van de laatste resten van het primaire hoogwoud in Zuid-Nigeria. Het wordt beschouwd als de verblijfplaats van de godin van de vruchtbaarheid, Osun, een van de Yoruba goden. Het landschap van het woud en zijn kronkelende rivier, zijn bezaaid met heiligdommen, beelden en kunstwerken ter ere van Osun en andere goden. Het heilige bos, dat nu wordt gezien als een identiteitssymbool voor de hele Yoruba bevolking, is waarschijnlijk het laatste in de Yoruba cultuur. Het getuigt van de eens wijdverspreide praktijk om buiten elke woonplaats een heilig bos aan te leggen.

Source: unesco.nl

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Osun-Osogbo Sacred Grove © CRA-terre
Outstanding Universal Value

Brief synthesis 

A century ago there were many sacred groves in Yorubaland: every town had one. Most of these groves have now been abandoned or have shrunk to quite small areas. Osun-Osogbo, in the heart of Osogbo, the capital of Osun State, founded some 400 years ago in southwest Nigeria, at a distance of 250 km from Lagos is the largest sacred grove to have survived and one that is still revered.

The dense forest of the Osun Sacred Grove is some of the last remnants of primary high forest in southern Nigeria. Through the forest meanders the river Osun, the spiritual abode of the river goddess Osun. Set within the forest sanctuary are forty shrines, sculptures and art works erected in honour of Osun and other Yoruba deities, many created in the past forty years, two palaces, five sacred places and nine worship points strung along the river banks with designated priests and priestesses.

The new art installed in the grove has also differentiated it from other groves: Osogbo is now unique in having a large component of 20th century sculpture created to reinforce the links between people and the Yoruba pantheon, and the way in which Yoruba towns linked their establishment and growth to the spirits of the forest.

The restoration of the grove by artists has given the grove a new importance: it has become a sacred place for the whole of Yorubaland and a symbol of identity for the wider Yoruba Diaspora.

The Grove is an active religious site where daily, weekly and monthly worship takes place. In addition, an annual processional festival to re-establish the mystic bonds between the goddess and the people of the town occurs every year over twelve days in July and August and thus sustains the living cultural traditions of the Yoruba people.

The Grove is also a natural herbal pharmacy containing over 400 species of plants, some endemic, of which more than 200 species are known for their medicinal uses.

Criterion (ii): The development of the Movement of New Sacred Artists and the absorption of Suzanne Wenger, an Austrian artist, into the Yoruba community have proved to be a fertile exchange of ideas that revived the sacred Osun Grove.

Criterion (iii): The Osun Sacred Grove is the largest and perhaps the only remaining example of a once widespread phenomenon that used to characterise every Yoruba settlement. It now represents Yoruba sacred Groves and their reflection of Yoruba cosmology.

Criterion (vi): The Osun Grove is a tangible expression of Yoruba divinatory and cosmological systems; its annual festival is a living thriving and evolving response to Yoruba beliefs in the bond between people, their ruler and the Osun goddess.

Integrity

The property encompasses almost the whole of the sacred grove and certainly all that has been restored over the forty years before inscription. Some of the recent sculptures are vulnerable to lack of regular maintenance which given their materials – cement, iron and mud – could lead to potentially difficult and expensive conservation problems.

The Grove is also vulnerable to over-visiting and visitor pressure that could erode the equilibrium between the natural aspects and people necessary to sustain the spiritual qualities of the site.

Authenticity

The authenticity of the Grove is related to its value as a sacred place. The sacred nature of places can only be continually reinforced if that sacredness is widely respected. Over the past forty years the new sculptures in the Grove have had the effect of reinforcing the special qualities of the Grove and giving it back its spiritual qualities that imbue it with high cultural value.

At the same time the new sculptures are part of a long and continuing tradition of sculptures created to reflect Yoruba cosmology. Although their form reflects a new stylistic departure, the works were not created to glorify the artists but rather through their giant size and intimidating shapes to re-establish the sacredness of the Grove. The new sculptures have achieved their purpose and the Grove now has wider than local significance as a sacred place for the Yoruba people.

Protection and management requirements

The Grove was first declared a National Monument in 1965. This original designation was amended and expanded in 1992 to protect the entire 75 hectares. The Nigerian Cultural Policy of 1988 states that ‘The State shall preserve as Monuments old city walls and gates, sites, palaces, shrines, public buildings, promote buildings of historical significance and monumental sculptures’. Under the Land Use Act of 1990 the Federal Government of Nigeria conferred trusteeship of the Grove to the Government of Osun State.

The Grove had a well-developed management plan covering the period 2004 – 2009 that was adopted by all stakeholders and the site enjoys a participatory management system.  The Federal Government administers the site through a site manager of the National Commission for Museums and Monument as empowered by Decree 77 of 1979. Osun State Government equally contributes to its protection and management through its respective Local Governments, Ministries and Parastatals, who are also empowered by the state edicts to manage state monuments.

The community’s traditional responsibilities and cultural rites are exercised through the Ataoja (King) and his council - the Osogbo Cultural Heritage Council.  There are traditional activities that have been used to protect the site from any form of threats such as traditional laws, myths, taboos and customs that forbid people from fishing, hunting, poaching, felling of trees and farming.

The traditional worshippers and devotees maintain the intangible heritage through spiritualism, worship and symbolism. There is a management committee made up of all cadres of stakeholders, that implements policies, actions and activities for the sustainable development of the site.

Osun-Osogbo Sacred Grove is also part of National Tourism development Master Plan that was established with World Tourism Organization (WTO) and United Nations Development Program (UNDP). The annual Osun Osogbo festival will need to be better managed so that the site will no longer suffer from adverse impacts of tourism during the festival.

The Grove will also serve as a model of African heritage that preserves the tangible and intangible values of the Osogbo people in particular, and the entire Yoruba people. As a source of pride to them, the Grove will remain a living thriving heritage that has traditional landmarks and a veritable means of transfer of traditional religion, and indigenous knowledge systems, to African people in the Diaspora.